Tag: game design

Five or So Questions with Jacob Wood on Psi-punk: Worlds Edge Arena!

Today I have an interview with Jacob Wood about his Kickstarter, Psi-punk: World’s Edge Arena!

Tell me about Psi-punk: Worlds Edge Arena. What excites you about it?

World’s Edge Arena is the second sourcebook for Psi-punk, a Fudge-compatible cyberpunk RPG. It introduces players to the city of punta Arenas, Chile, where characters compete in a televised bloodsport known as the World’s Edge Arena.

Players form teams and face two qualifying rounds against psychicly-controlled, cybernetically-enhanced predators such as wolves, eagles, bears, and komodo dragons. If they survive the qualifiers, they enter a single elimination tournament against seven other teams and battle for fame and fortune. Also, just to keep things interesting, the layout and terrain of the Arena shifts and changes between matches so every fight is new and exciting.

World’s Edge Arena is televised globally and has a huge fan base. Players can tap into their excitement and approval by means of a Fan favor mechanic which gives them an edge in combat.

The huge success of the Arena draws thousands of people to the formerly-small city. An influx of outside wealth and culture has created a rift between old traditions and new customs. The setting explores what it’s like for people who live in the town and the conflicts that arise because of its sudden population explosion.

To me, the most exciting thing about the book is that it gives both plaayers and GMs a lot of hooks to really get invested in the setting. It would be simple to play an entire campaign set in and around the area–there’s downtime between matches at the Arena, and there’s plenty to do around town. For groups who are fond of combat, the Arena itself offers a lot of diversity. For those who like to mix in intrigue and traditional cyberpunk-style street running, it offers a lot of that too.


How does the Fan Favor mechanic work, and what do you think it puts into the game?

Fan Favor is pretty simple: do something awesome and you gain Favor, do something shameful and you lose it. The book has a chart with a few examples of ways to gain and lose Favor. For example:

Incapacitate or kill a wounded opponent: +1 Favor
Incapacitate or kill an uninjured opponent: +2
Victory against overwhelming odds: +2
Heal a creature during combat: -1
Execute an incapacitated opponent: -2

Fan Favor is accumulated on a team level, so everyone contributes to the team’s pool. Anyone may spend some of their team’s favor to do something cool, such as:

Add +1 to a roll: -1 Favor
Re-roll and take the better result: -2 Favor
Force an opponent to re-roll and take the worse result: -3 Favor

Favor rolls over between matches, and GMs are welcome to start opposing teams with some Favor of their own. From my experience running Psi-punk, re-rolling dice in Fudge has the potential to alter the course of a conflict and makes for some pretty exciting gameplay. The mechanic also gives a trackable meta-game element which players can use to get an idea of just how great they’re doing–it’s like unlocking achievements or levelling up, but without any pre-set goals.

Tell me about the creatures in your bestiary – which ones are the scariest?
The Arena has a sizable bestiary filled with augmented predators. During matches, these animals are controlled by humans with the mind control power, so they think and reason like expert strategists but have all of the natural (and cybernetically-enhanced) abilities of a normal creature. The beasts are clone, so there’s a near-infinite supply of them, and they represent the largest and fiercest animals of their species.

A couple of my favorite examples are:

Coyotes augmented with sonarkinesis so they can unleash a howl that literally damages their opponents.
Black panthers with the ability to dim the lighting near them, which gives them an even greater stealth advantage.
Wolves with a frost breath attack capable of freezing multiple opponents.
Komodo dragons… because they’re komodo dragons.

How do you emulate the changing layout and terrain?

One of the key aspects of the Psi-punk setting is technology built on emulating psionic powers. This tech is known as magic, and magic devices can perform a huge variety of tricks based on what they’re programmed to do.

The World’s Edge Arena is built with a device capable of using a power known as control animate to terraform the arena’s terrain. As a televised broadcast, the Arena is set up like a season of a TV show. Each season has one terrain theme–jungle, desert, tundra, mountains, grasslands, etc.–and every episode (that is, every fight) takes place in that one terrain. It influences the types of beasts from the bestiary who will fight during that season and has a huge impact on how the human warriors interact with their environment.
To keep things from getting stale or from someone gaining the upper hand by studying the environment, the arena changes shape between episodes. During one match a player may have discovered a helpful cave to hide in or a particularly large tree to climb, but when they get to their next match they’ll need to explore all over again.

The specifics about how things change are intentionally left vague so the GM and players can decide on that themselves. I’m a really big fan of players being able to ask questions like “Is there a tree I can climb to get a height advantage?” and the GM can make that call. it creates an environment where the players get to have a say in what’s happening around them.

In creating the game and prepping it for backers, what is the coolest experience you’ve had?

While running the game at a local convention for a group of people new to Psi-punk, I got to see how different people and different personalities interact with the setting and the mechanics. In particular, there was one character who was a skilled hacker but was a total coward when it comes to physical combat. Instead of the player spending all of his time running and hiding and generally not feeling like he belonged in a combat arena, he tapped into his hacker skills to generate Fan Favor for his team.

Every Arena match is televised and even people in the live audience watch the matches on enormous view screens. This player hacked the camera feeds to close in on all of the cool things his teammates were doing to ensure the audience saw the best and most favorable footage. He also hacked the feeds to try to counteract the team’s blunders.

The approach struck me as a really creative way to get a non-combat character involved with the fight in a way that could help his team, and I incorporated that tactic in the rules to make sure I called it out as a viable option.

Thanks Jacob! Make sure to check out the Kickstarter, running now!

This post was supported by the community on patreon.com/briecs.

Five or So Questions with Paul Riddle on Undying

Hi everyone! Today I have an interview with Paul Riddle about his new game, Undying, currently on Kickstarter!

As a disclaimer, I’ve played a session of Undying, and I totally loved it. I’m a fan. 🙂


Tell me a little bit about Undying. What excites you about it?
Undying is my first published game, so getting it out there is a huge deal for me! I’m blown away by the support for Undying on Kickstarter and on social media. To everyone supporting Undying, thank you so much!

Undying is a diceless vampire roleplaying game of predation and intrigue. I think what excites me the most about Undying is how elegantly the game functions in support of the core theme of vampirism. Blood, debt, humanity, and status work together to create a common tension that plays out in really compelling ways. I think the simplicity of the rules are great for people of any experience level and I think there’s enough complexity in the interplay of the rules to keep game play engaging time after time.

Your examples for meddling, hunting, and feeding feature characters of a variety of genders and identities. What inspired you to make sure you show diversity in roles and representation? Will we see more of this in the game?

Blood and sex are both very intimate things and blood, at least, is essential to a vampire roleplaying game. Sexuality is a spectrum and I believe that the same concept should apply to blood and feeding. I want to cultivate an environment for Undying where folks playing the game are empowered to explore genders and identities in both feeding and sexual contexts. I hope the examples I’ve provided for hunting and feeding help by showing strong female characters and strong non-heteronormative characters.

As a gamer and lover of fiction, I’ve seen a fair share of vampires. What makes Undying different than, say, Anne Rice or Bram Stoker inspired media?

Undying is an amalgam of various vampire media. I think what makes Undying special is that it isn’t strongly typed to any one take on vampirism and, instead, offers a toolkit in the form of predator lore that allows you to design the vampire roleplaying experience that you want. Predator lore teaches you how to make house rules and encourages you to do so on the fly, while you’re playing the game. For example, when the question comes up, “Will staking a predator through the heart kill them,” there’s no canon, you decide while you’re playing whether it does or doesn’t.

One of the most complicated factors of vampire lore is the matter of consent. In Undying, how do you approach this concept, and did it impact your design?

That’s a tough one and yes, consent is definitely a factor. As far as the design goes, since losing your humanity by doing horrible things — often to people who can’t resist or wouldn’t consent — is an open ended question, the game itself doesn’t dictate that the taking of blood or sex must be consensual. Instead, it’s an exploration. To help frame things in a positive way, I’ve tried to give examples that show a variety of situations.

The Hunting and Feeding moves provide a solid framework for taking blood and the choices that a predator of various levels of humanity must deal with. While blood is covered, sex is not. Sex is left entirely to the gaming group to decide what works best. There’s a section in the book that discusses how to play in a supportive environment. This gives you tools for how to work together to set expectations and be respectful of each other at the game table.


If someone was on the edge about kicking in to get Undying, what would be the most important aspects of the game, mechanically or fictionally, that you would like them to know?

Well, if the diceless thing is the hang up, all I can say is, no one (except my wife perhaps, who knows me better than anyone) is more surprised that I made a diceless roleplaying game. The diceless system works! It really clicks — delivering a high-stakes experience! If it’s something else they’re hung up on, I’d just say that the mechanics give you enough flexibility to play the vampire game you want to play, whatever that means to you.

This post was supported by the community on patreon.com/briecs.

Update! – Details on current projects

I know I have not posted this month on my blog! I have been super busy with life, but I’ve spent a little bit of time on editing and prepping and doing photography (which will hopefully eventually be art) for Sweet Valley Hell. It’s a work in progress! I’m still planning on releasing it eventually. I still haven’t figured out how to make playtests happen, unfortunately. 

Hearts in Crisis is on hold pretty much until I finish school because I can’t really do the amount of research I want to do for the project while also doing school. It makes me sad, but it is still something I intend to finish – I just need to build a stronger supporting text for it than I had originally planned.

Finally, I’m hoping to start work on a new project soon (starting with writing down stuff), but it is pending the final release of someone else’s project, because it is… well, a hack. Hacks aren’t normally my thing, but there is a big fiction property that I want to try building a game for. I don’t think it makes sense to make a whole original system for it when it will work well as a hack – this might change, but the main plan as of the moment is to hack another game for this project. I’m not much for secrets, so I’ll let you know: I’m hoping to hack Urban Shadows (because it is a beautiful game) to fit the Parasol Protectorate series universe. It’s obviously an unofficial thing, but I still want to make it, and it will probably be a massive undertaking. If you’re a fan of the series and familiar with Urban Shadows (via G+, the Kickstarter, or otherwise), feel free to drop me a message with any tidbits of ideas you have, if you want and don’t mind me using them. 🙂 

I’ll try to update more! It’s been pretty hectic around here, so please accept my apologies.

Sweet Valley Hell – MONSTERS!

This is the draft Monsters section of Sweet Valley Hell. It’s in raw text form for now. Check it out!

MONSTERS AND YOU


There are tons of monsters in the Valley thanks to the Hellhole. This section goes over how they work, a little of their history, and then tells you what happens if one of your players gets the Hellhole treatment? Oh. My. God. Yes, it’s true, sometimes the monsters you see are like, the monsters you know, or something.


How the skill blocks work:

Name of Monster
Description
What they do: This is what the monster’s primary goal or action is.
How they do it: Their method of killing or whatever.
How to kill them: Pretty self-explanatory – how the player characters can kill the monster.
Powers: Any special abilities the monsters have.
Hit Points: How many hits it takes to kill or socially dominate the baddie. These are often variable – the number here is an average, and can change with the specific NPC monster.
skills: What die type they have in each skill, Fight and Sosh.


Dead-walkers

Ugh, gag me with a spoon. Not really, tho – you won’t need to, because these guys are grody to the max and totes unchill on top of that. Dead-walkers are literally dead people? They are the spirits of the idiots who got sent to Hell for doing like, bad stuff, and they kind of find a body of some variety when they crawl out of the Hellhole. Usually they’ll just grab like, a dead guy or something from a cemetery? But sometimes they get fresh meat, push the Granny outta Granny and go grocery shopping for more than just prune juice, and start murdering as soon as their body starts rotting because it doesn’t have a clean soul in it anymore.


What they do: Eat people. Ew.

How they do it: Biting, and like, tearing off limbs.

How to kill them: Headshots, and not the modeling kind. Oh, burning them works, too. Or a woodchipper.
Powers: None.

Hit Points: 5 Body, 0 Mind.

Skills: A regular dead-walker comes in at Fight: d6, Sosh: null. These aren’t the brightest bulbs in the closet. Tougher ones have a Fight of d8 or d10. If it’s like, a serial killer guy’s soul in a dead-walker body? They sometimes have a Sosh up to d8, but never higher. Groups of dead-walkers happen sometimes – see the Mob rules later on.


Vamps

“See ya later, suckers!” Yeah, the vamps are tired of hearing that joke, too. They’re sometimes super old, they spread like the plague, and they really, really like blood. Vamps are your garden variety vampire, with the same needs as any old creep: blood. Humans or animals, it doesn’t really matter, but most of the jerks always want to have like, live human blood or whatever, while the practically vegan vamps stick to critters – and they totally recycle, too. They have retractable pointy teeth, can turn into bats, and they can get a tan.


What they do: Suck blood and sometimes making new vamps.

How they do it: Tricking or capturing their victims, then getting their slurp on.

How to kill them: Stake to the heart, decapitation, or cremation.

Powers: 

Entrance – If a Vamp has a Sosh encounter with a player character and they win and have more successes than half of the player’s available Mind hit points, they can Entrance the player and give them one Sosh-based command. Example: Laurel (vamp) Entrances Hilary, a player character, and has her tell another character, Todd that his girlfriend Allie is totally cheating on him, and it stirs up conflict in the group.
Fly – Vamps can fly, but only when they change into a bat. This makes them much sneaker, and obvs much more, uh, flighty, but they can’t use their Sosh skill at all when they do it.
Regeneration – Unless the players stake the vamp’s heart, cut off their head, or burn them to ashes (after reducing them to zero Body hit points), vamps regenerate all of their hit points after a fight is over, even if they’re reduced to zero. Basically, don’t leave their bodies laying around.
Immortality – Vamps never die, and never age past the point they’re turned, unless they’re killed in the three ways listed above.
Super-senses – Vamps all have advanced senses, so they all can hear better, see better, smell better, and pretty much anything else. Kinda icky, but really useful.
Turning – Vamps can turn a human into a vamp, too, and it just takes one bite and a quick stab to the heart. No, seriously, like, they bite a person? And then they stab them in the heart! That person then dies and wakes up as a vamp, pointy teeth and all.

Hit Points: 5 for standard vamps, 8 for tough guys, and 10 for serious baddies in Body and Mind each.

Skills: Standard vamps run Fight: d8, Sosh: d6. Some of the smoother cats will go Fight: d8, Sosh: d8. Queens like Laurel would be hitting Fight: d10, Sosh: d10.




Demons

Hell hath no fury like a woman scorned… except it kinda does. Mostly in the like, hundreds of demons that hang around in the Hellhole, some of which have managed to climb out and be like, human looking and stuff. Demons don’t possess people initially, they make their own bodies from the ether. This means they’re typically pretty hot, and not just in the Hell way? They can possess people, though, and often do, but it’s really taxing. They have a wide range of agendas, and some could even be allies to the player characters? Some want power, some want love, some just want to watch the world burn. Like, literally, they want to make Hell take over the Earth.


What they do: Possess people, manipulate people, and pursue agendas.
How they do it: Using their demonic powers and their charming personalities.

How to kill them: Capture their soul and toss it back into the Hellhole. Capturing a demon’s soul requires an incantation (any priest should know it), a vessel (a jar, bottle, locket, etc.), and the demon’s Mind hit points to be at 0.

Powers: 

Regeneration – Unless the players capture their soul (after reducing them to zero Mind hit points), demons regenerate all of their hit points after a fight is over, even if they’re reduced to zero. Basically, don’t leave their bodies laying around.
Immortality – Demons never die, and can appear in a body of any age. They can only be stopped if their souls are captured, and even then, they might someday rise again from the Hellhole.
Possession – if a demon reduces someone’s Mind hit points to zero, they can possess their body. While in possession of the body, they can do like, basic stuff? But they can’t perform anything huge like, killing other people or whatever. Simple tasks, man.
Mind over Body – A demon can never be knocked out until their Mind hit points reach 0. Even if they’re completely physically disabled, they can still talk and stuff.

Hit Points: Body hit points can range from as little as 3 to as high as 10. Mind hit points never go below 5 and can go as high as 12. Demons are like, totally rad.

Skills: No demon will have a Sosh of less than d6. Like, ever. The sky’s the limit, too, with that. Fight skills for demons range between d4 and d10.




Were-beasts

Have you ever heard of like, a menagerie? It’s kind of like a bunch of animals, and that’s what there are roaming the streets of the Valley. Well, kinda. were-beasts, or shapeshifters if you want to be fancy, include run of the mill werewolves to stealthy werecougars, but just about any kind of creature works. There are two types of were-beasts: ones who were animals first, called like, therians, and ones who were humans first, called anthros. were-beasts are the result of a magical infection, kind of like, chicken pox or something? It’s totally bichen for the humans who get infected. For the animals, though, it’s more like punishment. The infection is spread by bites and exchange of bodily fluids – basically anything hotter than a kiss will spread it, so cover up.


What they do: Honestly? They just wanna be left alone. But sometimes they eat people, or maim them.

How they do it: Gnashing teeth, grody claws, and crazy serious strength.

How to kill them: Silver bullets do okay – heart and brain only, and cutting off heads only works if you, like separate the pieces? They might still get chatty, though. The hardest, but most effective method, is (like so many things) to just light it up.

Powers: 

Regeneration – Unless they are torched to ashes, decapitated, or shot in the head or heart by a silver bullet (and reduced to 0 Body hit points) were-beasts regenerate all of their hit points after a fight is over, even if they’re reduced to zero. In the case of were-beasts, they will even regrow limbs and reattach heads if there’s nothing keeping them apart.
Strong Body, Strong Mind – All of the were-beasts are like, super smart or strong. The Principal decides, based on the type of animal, whether the were-beast gets a bonus d6 to add to their dice pool for Sosh or for Fight. For example, a werewolf might get a bonus d6 to their Fight, while a wereraven (no joke!) might get a bonus d6 to their Sosh.
Super-senses – Were-beasts all have advanced senses, so they all can hear better, see better, smell better, and pretty much anything else. Kinda icky, but really useful.
Transformation – Any were-beast can appear as a human, a specific animal, and a hybrid form. Most newer were-beasts experience involuntary transformations, particularly around the turning of the moon, either new moon or full moon. Extreme emotion can also result in transformation.

Hit Points: Were-beasts are pretty much the heavy-hitters of the supernatural world, and they have the hit points to show it. Every were-beast, no matter how small, starts with at least 6 Body hit points. They can have up to 12. Mind hit points have the same range for anthros, but therians are typically an average of 2 Mind hit points lower than average, so they’d run from 4 Mind hit points to 10.

Skills: Were-beasts have different specialties, so like, they do different stuff? And like, depending on what kind of animal they are, they’ll have different skills? So the Principal can be super creative here. To toss examples out a werewolf would be like, Fight: d10, Sosh d6. A wereraven would be like, Fight d6, Sosh d8. Keep in mind that therians are often more vicious and less sociable.




Archons

So like, you know when you think of beings of light and energy and people call them angels? Yeah, well, angels exist, but those beings? Not angels. Archons are these totally cool beings that kind of transcend reality, and like, they’re basically untouchable. They come from beneath Hell and above Heaven and they’ve always been here, just as elements of the universe. They are super rare, but when they do show up, they bring either a lot of good or a hell of a lot of bad. The only way to beat them if they’re gunning for you is to basically convince them the world is worth saving. Good luck with that.


What they do: Grant grace or destruction.

How they do it: Self-sacrifice.

How to kill them: You can’t.

Powers: 

Apocalypse – They either temporarily boost the Mind hit points of everyone in the surrounding 30 miles by 2, or they temporarily lower their Body hit points by 3. This effect lasts for one session (if it happens at the end of one session, it would be effective for the whole of the next session). There is no roll, they just do it.

Hit Points: Body is irrelevant. Mind is between 5 and 10.

Skills: Yeah, dude, you can’t even imagine going toe-to-toe with these guys, so let’s just pretend that their Fight is like, infinity. Sosh, though, ranges from d6 to d10.




Ghosts

They clang, they howl, they shake chains. Spooky! Ghosts are, in general, pretty chill. They’re just spirits who spirited out of Hell and didn’t grab a body on the way. They’re undead, not deadly, and basically like your second cousin Lenny who won’t stop leaving his gym shoes in the hallway – kind of a pain the ass, but like, mostly harmless. If they do cause trouble, like, by causing car accidents, disrupting the peace, that kind of thing, they can be exorcised. Call your local priest!


What they do: Cause a nuisance.

How they do it: Haunting.

How to kill them: It’s more like, you know, banishment? But yeah, exorcism. Good ol’ fashioned Latin prayers.

Powers: 

Dead – They aren’t alive, they don’t have a body, they kind of wisp around and are generally immaterial. Oh, and they can’t be killed. Again.
Washington’s Curse – If you think they might have useful info, just ask them – ghosts cannot tell a lie.
Hit Points: Null and null again. To get rid a ghost, seriously, just pray in Latin.

Skills: None.




Cherubim

The holy host has no clue if there is a god, but they def want to be righteous, dude. The cherubim are one of the types of angels, and the only ones you’re likely to meet. The archangels don’t make visits to Earth, so the cherubim do the dirty work. The dirty work being Hellhole crowd control. Almost every cherubim is on the side of the good, or at least the mostly-good. One or two might have delusions of grandeur, though, so like, look out? Oh, also? When you see one, you’ll know it – cherubim have a body like Bessie the cow and faces like Janus, with a couple of sets of wings to go ‘round.


What they do: Defend the righteous.
How they do it: Angelic grace.

How to kill them: Silver cross made into a sword. In the heart. Ouch.

Powers: 

Regeneration – Unless the players stab them in the heart with a fancy sword (after reducing them to zero Body hit points), cherubim regenerate all of their hit points after a fight is over, even if they’re reduced to zero. Basically, don’t leave their bodies laying around.
Mind over Body – Cherubim can never be knocked out until their Mind hit points reach 0. Even if they’re completely physically disabled, they can still talk and stuff.
Immortality – Cherubim never die, and only appear as their totally rad winged form. They can only be stopped if they’re killed, and even then, they are only sent to Heaven again, and might come back someday.

Hit Points:  Body hit points can range from as little as 3 to as high as 10. Mind hit points never go below 5 and can go as high as 12.

Skills: Cherubim rarely have Fight skills of less than d6, and can go up and up from there. Sosh skills for cherubim, however, are like humans – d4 and up.




Void

Void are the depths of Hell, the darkest of nights, the deepest of seas. Epic, yeah? They’re super creepy little guys – typically the size of children or teens but not kids at all. They are literally Hell beasts who have crawled up to devour souls. They have these wicked big mouths with sharp, pointy, needle-like teeth. Too many teeth. Ugh. They’re not super sociable, and mostly speak in the tongues of Hell, but they’re quick and stealthy.


What they do: Devour souls.

How they do it: Bite, suck, slurp. Soul be gone.

How to kill them: They die like mortals, so you can mow ‘em down.

Powers: 

Devour – they literally eat your soul. If they get a bite on you, they’ll suck Mind hit points out of you by the minute, getting an extra bonus d6 to add to their Fight that always counts as a success so long as they get at least one success in their roll, including that die.
Stealth – They’re creepy, they’re crawly, and they blend into the shadows like… uh, like a shadow.
Speed – Void are totally fast. It takes one additional success to get the first hit in on them in a fight.

Hit Points: They average around 5 Body and Mind hit points, just like humans.

Skills: Void have no higher than Sosh: d8, and average around Fight: d6.


Mob Rules

When monsters get together in groups of 3 or more, they’re called a mob. So, like, when this happens? Treat the monsters as one unit, where the stats are equal to the most powerful monster, but raise their die type for their stats by two ranks. As an example, if you have six dead-walkers, and the like, strongest of the deadwalkers is at Fight: d6, the mob as a whole would be at Fight: d10. Their hit points will still be equal to the highest hit points.

It’s important to keep in mind that major NPCs should not be part of mobs and should have their hit points and rolls monitored individually. Basically, like, if they are important enough to have a name? Like, they aren’t totally mob mooks.

PLAYERS AS MONSTERS


It would be like, totally uncool if they players couldn’t be like, monstrous. Here’s the way that works.


Players get the powers of all of the monsters applied to their character, so they can transform, possess, all that. If the monster has higher hit points and/or skill rank dice than them, they gain one hit point in each hit point set that is higher and/or one skill rank die in each skill that is higher. If it is the opposite, where the hit points or skill rank dice are lower, then the player character would lower their hit points and/or skill rank dice by one. For example, if a vampire bites a player character, and the vampire’s hit points are Mind: 6, Body: 7, and their skill ranks are Fight: d8, Sosh: d10, while the player character’s hit points are Mind: 5, Body: 5, and skill ranks are Fight: d6, Sosh: d6, then you would adjust the player’s stats to be Mind: 6, Body: 6, and Fight: d8, Sosh: d8.



This post was supported by the community on patreon.com/briecs.

Sweet Valley Hell – Principal’s Instructions

This is the game I’m working on during my pre-week of summer classes. This is the Principal’s instructions and I’ll soon be releasing the Monsters section. Enjoy!

PRINCIPAL’S INSTRUCTIONS (DRAFT)


So like, you’re in charge? Wow! You have a really good chance to make the players have loads of fun, so grab a seat and listen up.


Your first responsibility as the Principal is to like, set the scene. This is pretty cool. You get to decide who will be in the world and what the current events are. You can probably sum it up in a paragraph, and you can make a few predictions for the future. Keeping a handful of index cards or scrap paper with your notes would be a good idea, or even a notebook, and always have some blanks on hand to take down really important events and new non-player character names. Non-player characters are suuuuper important, so make up a few! You’ll need to assign them skills, too, so think about how tough and how clever these dudes are, and write down a die type for their Sosh and their Fight. Don’t stress about spending points on them, just be reasonable.


Setting
This game is set in the Valley in the year 1994, right after the Hellhole opened. Everyone knows about the Hellhole, but not everyone deals directly with it – most people, honestly, just try to keep it a secret from anyone outside of the Valley. The main players in town are Azazel, a demon with aspirations of mayorhood, and Laurel, the queen of vamps, who has tons of minions crawling around the town. The player characters are all seniors at the local high school.


Non-Player Characters (NPCs)
Coach Wilson – the coach of the Stallions, the football team of West Valley High. Stubborn, funny, and surprisingly caring, this guy knows the students better than anyone. He also supports the Fillies, the cheerleading squad. Fight: d8, Sosh: d6
Mayor Andersen – the town mayor. He’s prickly and like, really doesn’t like kids. His politics are pretty ace, though, so he’s not too bad to have in power. Unfortunately, he has little social klout. Fight: d6, Sosh: d6.
Lindsay Golden – the mayor’s right hand, and the power behind his words. Without her, the mayor has no chance of keeping his political position. Fight: d6, Sosh: d10.


(see the Monsters section to skill up Azazel and Laurel.)
Shelley Winters – a local reporter who knows way more about the Hellhole than anyone else, and no one is quite sure why. She is friendly and useful, but kind of creepy, really. Fight: d8, Sosh: d8.


There’s your starting setup. You can create more NPCs on the fly, just make sure you write them down so you can bring them in for later scenes.


Running the game should be pretty chill. What you want to do is try to encourage the players to have a good time, while like, not forgetting to make them feel like the bad guys are a real threat. Pull from media resources to get the feel just right if you want to, y’know, like TV shows and books. The players’ enjoyment comes first, so be okay with flexing your story a bit – don’t get too attached to the plot and forget about having fun.


In the player’s instructions you can find an example of play, and for what you are doing, things go about the same. FYI, fights are over when the baddies are knocked out (at zero hit points), or when they or the players retreat. What you need to know is how to build your dice pool for Fights and Sosh encounters. It’s easy!


The Principal gets an allowance just like the players do, based on how many players there are in the game. You start with two Pops and $100, and then for each player in the game, you get one Pop, and $200 in Daddy’s Money. You spend them just like the players do.


Remember, you’re representing like, bad guys, superiors, and people in power, for the most part (sometimes you’ll be other teens or whatever, too, but they should be pretty breezy for the players to deal with). You want to make it a challenge without ripping any hearts out… unless you’re representing something that like, rips hearts out.


Sweet Valley Hell doesn’t have like, totally strict scene framing. This is kind of cool, but makes things a little tougher when you’re in charge? You’ll want to try to keep players focused, and the best way to do that is by keeping it interesting. If an in-character conversation starts to die down, move on and come back to it later if you need to. If a fight seems futile or boring, call a retreat.


Retreats are simple: the baddie backs off and gets away. You’ll want to give the players a Pop for this to make up for it, but it’s just a good way to keep the villain active without like, totally boring everyone? So keep it in your pocket, just in case.


The Principal’s agenda is on-point, man. You want to:


Give the players a good time.
Creep people out.
Make the baddies feel real.
Encourage players to build the fiction.

Create a good story.

Sweet Valley Hell – A like, Hellhole in the Valley

This is the game I’m working on during my pre-week of summer classes. I’m hoping to write up the Principal’s instructions and the monster section over the next couple of weeks. Enjoy!

SWEET VALLEY HELL (DRAFT)

PLAYER’S INSTRUCTIONS


“Oh. My. God. Did you see the dagger that Azazel was carrying last week? Did you know it like, devours souls?”


“No way!”


“Yes way. It was totally rad!”


—


So like, in this game, you play valley gals and guys in this totally sweet alternate universe where a portal to Hell has opened up in the Valley. There are like, really rad monsters, demons, and dead-walkers roaming the ‘burbs and like, magic is a thing. It’s bitchen.


Most of the time, you’ll be hitting up the mall and hanging with your friends, so sosh skills are like way important? But, you’re gonna find out how dangerous it really is living on the edge of Hell, too, so whether you’re into football or cheerleading, rock those abs.


In the game, you’ll see demons – some are friendly, others are, like complete jerks? I mean, what is their problem? Then, there are the monsters – you know, dudes and chicks who are like, not human and stuff, and they range from vamps to werecritters to like, other creepy stuff. Last are the dead-walkers. They’re like zombies or whatever, but most of the time they’re totally grody and used to be like, murderers, so you gotta watch out.


When you start the game, you get like, anywhere from 4 to 8 points to build your character’s skills, depending on how hard the Principal (the like, person running the game?) wants the game to be, or how long after the Hellhole opens they want it to be. You have two skills: Sosh and Fight. Life is simple in the Valley, so don’t bum anybody out by making it complicated. Your skills buy you die sizes in your skills. The first point in a skill buys you a four-sided die. This is like, sooo lower than average. So you can spend another two points to buy up to a six-sided die. Each die up costs two points, so if you wanted to start the game with a six-sided die in Sosh and an eight-sided die in Fight, you’d spend 3 points in Sosh and 5 points (3 for six-sided and 2 to move up to eight-sided) in Fight. This makes you a little tough for fighting and pretty average in social situations.


Your hit points are on your character sheet. There are both Body and Mind hit points. You only get 5 of each unless you get a magic boost. 

Each player (like, you guys) starts with these things called Popularity Points (We’ll call them Pops, because yeeah) and duuuh, some of Daddy’s Money! Pops are really cool because you can spend them to increase the size of your dice when you are rolling against the baddies. Daddy’s Money buys you more dice to roll! The dice you buy are equal to the die size that your base die is or to the size that is bought with Pops, so like, if you buy your base die up to a ten-sided die, all of your dice you buy with Daddy’s Money would be ten-sided. Sweet!


Each session of the game, you get a bit of each of these – kind of like, an allowance or something. Along with setting the difficulty of the game with the skill points, the Principal will decide how many Pops and how much of Daddy’s Money you get. Typically you’ll start with two Pops and, since Daddy’s Money only comes in hundreds, like, $400? Each die you add with Daddy’s Money will cost you $100. Cha-ching! If it’s going to be an extremely long game or the Hellhole is going to bite you hard, the Principal might up it a bit. You can always gain more Pops by doing sweet things in game, like risking your life for another player or a bystander, or maybe like, doing something epic. Daddy’s money, though, only comes once a sesh.


Fighting demons, monsters, and dead-walkers is pretty rad. You like, run up to them, or try to trick them, or something like that, and then you grab a die from the table – a like, six-sided one sometimes, or bigger. You can change the size of it and totally add more dice.


You’ll roll the die and the Principal (the like, person running the game?) will roll a die or a couple of dice to represent the monster (find more on that later), and you compare them to see who has the highest numbers, and how many of them. The roller who has the highest number on a die wins, and the loser takes hits equal to how many dice show a number higher than their highest.


So like, if you’re rolling against a vamp, and the Principal lays out like, four dice – all six-sided – based on the vamp’s powers? You put out the same number of dice, using your base die (In this case, for your Fight skill), which you buy up to an eight-sided die, and then some added ones. You both roll. You get a 6, 8, 3, and another 3. The vamp’s results are 4, 5, 3, and 2. You win because you have the highest number – 8. They take 2 hits because you have two dice (6 and 8) higher than their highest number (5). Bam, bam! You kick ass.


Social situations are simpler, because bystanders and non-player characters (like your BFF or your Dad or your Coach) mostly have skills equal or lower than yours. If you’re going up against them, this is normally a time you can be pretty chill, unless it like, means a lot. If you’re in a social situation with a demon or a monster, it rolls like the Fighting scenes, except you use your Sosh skill. Dead-walkers can’t be reasoned with – they’re raw and stupid, just filled with rage.

You’re ready to start the game. The next part of this is for the Principal’s eyes only – like, seriously, dudes, you don’t want to be totally uncool.

Brie Creates Religion

Hi all!

I wanted to talk a little bit about some work I did in the past on a game setting called A Deadly Affair. It was a game run by my husband +John Sheldon, originally in a modified D&D 3.5 system, then later a modified Pathfinder system. One of the biggest elements of the game was that players were able to build parts of the setting – species, religions, cultures, historical events. It was really cool! I got to be really involved in setting creation and John allowed me to build one of the religions for the game.

The religion was called the Nord. You can read some about it on the Deadly Affair wiki page on Obsidian Portal. In the religion, there are five gods. “Norric the cruel god of ice and cold, Eitne the chaotic god of the winds and herald of change, Shima the benevolent lord of the earth representing growth and life, Raer the demanding deity of fire and warmth, and the Unnamed – a treacherous god of magic, spirits, and deceit.”

I spent a long time while I was growing up reading myths and legends about Norse and Greek polytheistic religions. I was a huge fan of them. This is part of why I wanted to create a religion specifically for A Deadly Affair.

One of the first things I did was determine whether I wanted to do a polytheistic religion, or stick with a single god, or something different. I was most familiar with the myths of polytheistic religions, so I picked that. I then wanted to pull from something recognizable to begin the definitions of the gods, and I picked a compass. Norric was the North, Raer the South, Shima the West, the Unnamed the East, and Eitne as the center, ever changing.

Once I had that down, I spent a lot of time on my own just thinking about it. I wish I’d taken the time to write down everything I thought of. Hindsight, you know? If I had written it down, though, there would have been a lot about the behaviors of the gods, the rituals of the priests, and the habits of the followers. There would have been descriptions of the avatars of the gods, and of the symbols carried by the followers.

I guess, I regret not writing them down. And I’m hoping to play the game again, so maybe I can get my stuff together and write down some new information to put in the Wiki, or on here. I hope that people enjoy whatever I choose to share when the time comes.

<3

Dread – Suspense and Control

I’m thinking today about the game of Dread by Epidiah Ravachol I played at midnight-to-four-am last night, and how freaking awesome Dread is as a game. I know, tons of people say this, and they say it for a reason. I am sure there are people who don’t like the game, but hell, I really dig it.

Here’s why.

I like scary things. I like suspense. However, I’m also a giant coward. I can’t watch a ton of horror films or read scary stories like I could when I was a kid because I have wild nightmares. So, roleplaying is one of the ways I get my scary fix. Dread is awesome at this.

There is suspense like I’ve never felt in a game. I liked Black Stars Rise (Sage LaTorra) because it was creepy as all get out. I like Dread because I hold my breath for at least half of the game. I am on the edge of my seat, but trying desperately not to bump the table. My hands shake for reals instead of just because of medicine. It’s brilliant.

Introducing an element that takes so much control but removes so much control at the same time is really interesting. The Jenga tower is something for people with steady hands and knowledge of physics, so I expect plenty of people can play the game without as much worry about it falling on simple early pulls, but for someone like me, the chance of the tower falling is there from the first pull. It takes all of my brain and physical power to pull out a block, controlling my actions more than I normally do. But it also removes any of my control. I can narrate freely most of the time, but when it comes down to it, I have to give up to a pull to see whether I live or die.

And that’s another interesting part: one failed pull and you’re gone. There aren’t second chances. In many games, I hate character death, but in Dread, I wait for it anxiously, and then end up staring at the tower as the rest of the players go out in a blaze of glory.

Plus, the questionnaires are great. They give the GM just enough information to go on, without taking the players too long to answer questions. It provides elements of curiosity as we watch others write out their answers but can’t see what they’re saying, watching the little smiles or grimaces on their face betraying some of the parts of their story.

This is kind of a short post, but I wanted to chat a little bit about it. I hope you enjoyed the read. Tell me what you think of Dread in the comments!

Five or So Questions with Avonelle Wing on Convention Organizing

Tell me a little about what you do as a convention coordinator. What’s exciting about it?

What do I do? that’s a very complicated question, because I wear many hats, and the list of things I do could read like a resume.
From the practical and very concrete perspective, my job is to make sure the resources are available for the convention staff to provide the most satisfying convention experience possible to the broadest segment of our population. Among the things I do are:
  • Remembering to buy the right envelopes (peel and stick, #10), card stock, poster board, tape, packing tape, duct tape, and knowing which brand and why.
  • Keeping track of ridiculous things, like remotes, wires, plugs, components – making sure everything gets packed to and from every con, and I know where each important piece is. all the time. 
  • Refreshing our extension cord supply. 
  • Counting bed spots accurately so senior staff and guests all have a place to sleep.
  • Soliciting and tracking prize support and library copies of games.
  • Keeping track of special guests and making sure they have satisfying experiences at the con. 
  • Maintaining a social media presence so the conventions are people, not faceless corporate entities to attendees. 
My brain holds a million vital little details that mean we don’t ahve to reinvent the wheel. and we never have to deal with the experience of buying the wrong duct tape again. (the whole Big Board system fell off the walls at DEXCON. Within hours of putting it up. It’s my job to remember that horror and to make sure we avoid it in the future. 1,000 events on the ballroom floor. oi.)

I talk to game masters. I help piece the schedule together (my husband does the lion’s share of the scheduling and I still get a little swoony when I look at the sheer magnitude of the task he takes on every convention.). I coordinate staff.

On a more ephemeral level, I get to be part of the magic of our community. I am the welcome wagon – I notice when somebody is looking a little lost and I loop them into something exciting. I forge connections, solve problems. When somebody is in the middle of a devastating breakup and needs to hide, they end up in my room, because that’s a safe place to hide and I always feed you after I scrape your sobbing self up off a hallway floor. Our conventions are described by lots of people in our community as “giant family reunions” and I get to make that magic happen. It’s akin to being the eccentric aunt who rents the pavilion, hires the magicians and buys 100lbs of charcoal. The difference is that our community has chosen to be here. and I love them for that.

I get to facilitate our evolution. When somebody comes to me and says “freeform. it’s a thing. we need more of it” I get to say “ok! fill out the form and let’s do it!”

When somebody says “gender. It matters in gaming and we need to talk about it.” I get to say “OK! space, exposure, attention. let’s go.”
18 months later, somebody said the same thing about race. “Great. Let’s talk. Let’s talk long and loud and let’s get angry and let’s do positive things to change our world. Let’s go!”
We hear “old school roleplayers feel lost. we want a home too!” and we launch a convention within a convention to serve them too.
Our job is to be responsive and supportive and encouraging. and I think we do a decent job of it. It’s exciting to me to hear somebody say “I want to…” and to be able to say “and I can help make that happen. I’m excited! let’s go!”

I am often humbled, watching our community support each other. and I get to know that they’ve come together because I’ve given them the venue and the opportunity and the reason to do so.

What is the biggest challenge to hosting a con?
The biggest challenges of any convention lie in the unknowns – will the air conditioning be able to keep up? how many bottles of soda will we blow through this year? The system and process stuff? We’ve got that down, and it’s entirely on us. Once you set the machine in motion, you become dependent on other people to see things through, and on the universe to cooperate.

I drove all the convention badges, the printer and all the other registration materials to a convention once through a storm system that spawned tornadoes. As I drove down the highway, I watched trees falling behind me – it felt cinematic and not as terrifying as it should have been. Those things, you can’t plan for. You just have to keep your head screwed on straight and keep moving.

What do you think is the most valuable advice you could give someone starting their own event?
Talk to other local events. Make sure you’re not crashing their party. Ask them about venues – sometimes there’s a reason an event moved suddenly. Schedule so you’re not stepping on anybody’s toes. Ask for help – Double Exposure is always happy to help a small even negotiate for space and sometimes we even help staff for your first couple of years.

Figure out a reasonable budget and double it.

Carry the best insurance you can possibly afford. Wait. what? insurance? Yes, insurance. Trust me, it’s worth it.

Don’t run by committee. Take personal responsibility for things that go wrong and be generous in sharing the credit for things that go right.

What are your goals with Maelstrom and DEXCON, which are two wildly different cons?

Maelstrom is an experiment, and I’m still sorting out my goals. I need to go back to my brain trust and discuss what worked and what didn’t, and to set community-guided goals.

DEXCON’s goal is, always, to provide the most action-packed, diverse, intense, intimate five days of gaming anywhere. We’ve got the excitement of one of the mega-cons with the comfort and friendliness of a local con.

What’s big for the next year for Double Exposure?
Big… I’m not sure we are ready for much bigger than 2014! We’re up to four conventions a year of our own, plus we’re doing the First Exposure Playtest Hall at Gen Con.

I’m just getting my feet under me when it comes to talking about the importance of social justice – of advocacy and representation. That has become a bigger part of Double Exposure’s program over the last several years, as I’ve realized that we were above the curve, but had more we could be doing. the rest of 2014 and likely most of 2015 is going to be continuing to present the best possible product to our community while refining and advancing our approach to outreach, education and representation. I have so much to learn, and so many brilliant people to learn it from.

I have a still-flickering hope that we will be able to do a larp-oriented project in 2015, but that won’t be decided until we’ve gotten home from Gen Con, at the soonest.

Why do you run these conventions?
Riding home from Gen Con last year, I found myself pondering the fact that these conventions – even with their stress, financial exposure, physical toll, worry and effort – are as close to worship as I come. We create a thing that is ephemeral. It’s temporary, like a play, and when we’re done, we strike the set and we go home. But while they exist, we create something that is as close to a Divine act as possible.

Conventions connect people in a very tangible way. We step outside of our daily lives and enter a space outside of time. We storytell – one of the most human and most sacred of acts. We trade pieces of ourselves. We laugh. we cry. We see friends we only see a couple of times a year, and we pick back up right where we left off. There’s an emotional resonance to conventions that is unlike anything else I’ve experienced.

Also, it’s safe place to be a nerd – to love My Little Ponies. to know the dialogue to every Star Trek movie. to remember every model number of every Terminator to show up on screen, ever. There’s very little fear of mockery or disdain. As somebody who was vexed for being a reader, for being a nerd, for having a grown-up vocabulary, sometimes it moves me to tears to watch folks (often younger folks) come in – a little awkward, a little wound up, a little too much – and to see them unwind, slow down, find their own unique pace. We create a space where we protect each others’ weirdnesses, and share them. It gives folks who find themselves on the fringe at school, at work, in their daily life, a chance to be in the middle of the puppy pile – to be respected, to acknowledged and seen and known.

It’s a calling, and I’ve known that since I first walked into a Double Exposure convention in 1997. I welcome each new face like a companion on this path to carve out a spot of acceptance, creation and joy every few months.

Okult by Wilhelm Person and Asking Good Questions

Recently on G+ I put out a post saying how I wish I could just get copies of the games I interview people about. A few people sent me stuff, which was super cool! One of the things that got into my grabby hands was Wilhelm Person’s Okult.

I’ve been watching Okult from afar for a while. I saw when it came out and was vaguely interested, and got a little more interested when I read a little about it. However, I’m both cheap and busy, so I hadn’t put it on my urgent list yet. Getting it and reading it was a genuine pleasure. I loved the photography in the book and was excited to take a look at the game itself.

Okult is a horror game and photo book. First off, the game is mega simple. It is a storytelling game of a sort, and has a scale of the intensity of the horror in the game. There are no complicated mechanics. It’s also GMless, which I dig.

What I like about it is that one, when you get to a point in a scene where you ask a question, someone else gets to answer it, and two, it’s all about asking good questions. Questions about your Hometown, questions about your past, questions about what you can do in the game, questions about the secret of the town. So many questions!

Epidiah Ravachol said (In a post supporting me, no less!):

As a whole, game designers are only just starting to wake up to the fact that the single most effective mechanic is a question. That’s going to change soon and over the next few years you’re going to see a lot of hot new games built entirely around the questions players can ask and how they can be answered. When this happens, we’re all going to appreciate just what it takes to craft a well-asked question.

I think that Okult has a decent handle on this.

When I think of asking questions, which I do, quite a lot of the time (in case you hadn’t noticed), I think of how I want the responder to feel, how I want them to think, where I want their train of thought to go. I never like closed questions, so I always look for a why, or a what, and press for it.

I want to write a game about asking questions, but I think I’m just so wrapped up in the questions that I can’t find my way to answers. I like that Okult doesn’t give you the answers – it lets you explore them on your own. And it does so visually! It uses a map, a big map, and you also record facts on the map, answering the questions.

What’s so great about questions? To me, I love questions. Questions often demand answers, and even when they don’t, they invite thought. They lead to exploration. They guide us through the unknown by giving us a point to start and a reason to answer – the good ones, anyway. Plus, questions lead to interaction. Yes, you can ask yourself questions and answer them alone, but the most enjoyable way to explore questions is to share it with other people. To ask, and receive responses, and then ask more, continuing the discourse.

Vincent Baker says that games are a conversation.

What’s a conversation without questions?