Rusted Swords & Nice Boys: Gender in Sleepaway

Today’s post is by me, Beau, and my husband and business partner, John W. Sheldon. We’re discussing the game Sleepaway by Jay Dragon, and the experiences we had during character creation with the gender options.

All photos in this post are by John W. Sheldon, copyright 2019. I hope you enjoy it!

Beau, on Nice Boys

It is no secret that exploring gender in roleplaying games is kind of a thing I do, This is part of how I got the courage to come out as nonbinary masculine, it’s part of how I discovered I was queer and what kind of queer I am, and it’s helped me develop my perception of self.

That’s not always been easy, though. In the heyday of online text-based roleplay, I could be whatever gender I want – and in Harry Potter and Lord of the Rings fandoms, androgynous characters weren’t as often rejected as they were in other spaces. When I moved to playing face-to-face tabletop RPGs, I do think I encountered some friction with me playing masculine characters or what I now understand were nonbinary (I didn’t have the word at the time), it wasn’t much more than I got for playing pretty or sexy characters or queer characters. But, none of it ever felt… right?

A small pink-topped mushroom beside a rock.

In most of my own designs, I’ve tried to let people write in their own genders, not be restricted by the words and definitions other people are giving them and use to control and oppress them. I mean, it’s not like being “genderfluid nonbinary masculine” like me is actually a thing to anyone else, either, but it’s the closest I’ve got (though I do use “nonbinary boy” as a shortcut these days). But, this isn’t perfect – sometimes people won’t explore without a little help, a little guidance, something to escort them along their way.

When Dream Askew originally was released, I heard about the alternate gender options, and I was so excited! But when I tried to play the game, it was like a square block in a triangle hole – nothing fit, and it was sharply clear. I couldn’t make sense of it – even if I could kind of conceive the genders in my head, I couldn’t make myself want to play those characters.

But when I tried to play [Dream Askew], it was like a square block in a triangle hole – nothing fit, and it was sharply clear. …Enter Sleepaway.

-Beau

Enter Sleepaway by Jay Dragon. This game has been in my to-play for a bit, and my game group – made up of myself (gendered as noted above), my husband John (agender, presents mostly masculine), and my two cis men friends Ed and TJ who are varying levels of into exploring gender and sexuality (no judgement! some of us are just comfortable where we are!). TJ is the one who actually brought the game to the table and is facilitating.

A character sheet and name plate from the game Sleepaway.

The setup is fun in general – I honestly need to make a strong note to Jay that the writing is just phenomenal, evocative, and powerful in this game. I did a lot of summer camps as a kid, both as camper and counselor, and had some very important and scary experiences while there. The game captures all of it so beautifully and richly that I feel like I could play it a thousand times and have a unique experience every time, and learn something new about myself and my characters each time, as well. It’s also respectful in regards to First Nations and indigenous people’s rights, specifically in how you name your camp and respect the land!

And that comes into the character creation with the gender options, and where this post came from. I was skimming over them originally, until I reached The Lifeguard playbook. The top option for gender is “Nice Boy.” Anyone who knows me knows that my primary character type is something approximate to the “himbo” – a hot masculine person who is considered to be not the smartest, but is generally nice and well-intentioned even if it doesn’t always work out. I like nice boys, and specifically the gender of “boy” (not meaning a child) is one I identify with. The more I read the specific list, the more I was hooked. I knew what it meant to be a Lighthouse in the Darkness, or to be Relatable. I felt so seen by these options – and I could see other people I know in it too.

A screenshot of text saying "Describe Your Gender:" with the options "Nice Boy, Wonder Woman, A Savior and a Saint, Eagle, Castle, Lighthouse in the Darkness, and Relatable."
The Lifeguard gender options.

During and after character build, the table talked extensively about the gender options, especially me and John. John rarely talks about gender – as an agender person, he’s often said it just never clicks with him! I asked him if he could write a little about his perspective, so he has below.

John, on Rusted Swords

I’ve mostly ignored gender in games. I recognize that as a supremely privileged thing to be able to do, but as a male, masculine-presenting person, nobody made it an issue for me if I didn’t make it one for myself. As an agender person, I never really had strong feelings about gender presentation in games either – I honestly never thought of gender until other people brought it up.

Playing classic games like D&D and Shadowrun growing up, gender was usually just a single letter on a character sheet, something I jotted down and almost immediately resumed ignoring. It didn’t mean anything to me, and at the time I didn’t understand that it could to anyone else. After all, it didn’t change any of the rules for my character, or restrict any of their actions. I won’t pretend that I and my play groups weren’t steeped in misogyny as a teen, but even if I put the “F” on my character sheet, I still got treated well because I was, as a player, perceived as a man.

Then I grew up a bit. I realized that, in contrast to my own experience, other people did have an internal experience of gender. Their internal gender experiences meant a lot to them, even. I struggle to apply a useful simile to the situation, but slowly realizing that I was agender was a bit like a person slowly coming to understand that they were colorblind: people were experiencing things and making a lot of decisions based on information that was absent for me.

Then I discovered a wave of independent tabletop RPGs that dared to fuck with gender. They made it something other than a binary toggle, and didn’t pretend it was necessarily tied to biological sex. Gender was queried as a way to ask about look and presentation, and there were lots of options! I was glad that other people had selections they could use to represent themselves, but I went right along basically ignoring the whole category of experience. I dutifully picked an option during character generation, usually just as a creative choice to help define the look of the character, then went on ignoring it in play as I always did.

I dutifully picked an option during character generation, usually just as a creative choice to help define the look of the character, then went on ignoring it in play as I always did.

-John

I even tried an early version of Avery Alder’s Dream Askew. Unlike the other indie titles I’d read which focused on presentation, Dream Askew gave pick lists for actual gender, but eschewed the standard selections in favor of evocative phrases. For me, this was actually a problem. With no internal experience or sense by which to judge these phrases, and no ready external indicators to associate with them, they just looked like a list of nonsense words. To me, they might as well have been an actual list of randomly-selected words. It took me out of the game and made the whole thing more difficult for me to engage with.

A picture of the character sheet showing the gender options for the Ropeskeeper, including Hermit, Sailor, Druid, Swamp Thing, Rusted Sword, A Fox, An Ancient Oak, and None of Your Business.

Then, last night, I played Sleepaway. Like Dream Askew, each character archetype has a list of options for gender, but there was something different about these. These were written with deep ties to a genre I knew. More than that: their names resonated with attitudes and behaviors I knew and recognized in myself. Instead of a list of words that meant nothing to me, I found myself using these signifiers to imagine different ways of being for these characters – they were presentation, behavior, and identity all in one. They were gender in a way I’d never understood or experienced it for myself.

I found myself using these signifiers to imagine different ways of being for these characters – they were presentation, behavior, and identity all in one. They were gender in a way I’d never understood or experienced it for myself.

-John

Is Jay Dragon a genius because they wrote “Rusted Sword” as an option for a character’s gender? Yes. I’m saying absolutely, definitely yes.

Sunset on a lake with a tree partially obscuring a starry yellow-purple sky.

Thank you so much John for sharing your perspective on this! I think this has been so valuable to experience for me, and I think it’s a gorgeous piece of design. You can find Sleepaway here and if all goes well, I’ll update with our adventures at Camp Why-I-Otter!