Tag: OSR

Bestiary: Hillside Phimf

The people living in those flatlands, they don’t know true horror. They’ve never heard its sound. They’ve never had to run, run downhill to the flats and hope there ain’t just another hill to come, hearing the growls, hearing the scream, the baaaaaaah it roars, the sound of its four feet pounding unevenly behind you. In the hills, we know. The hills don’t have eyes. They have the phimf.

Tarnin Covalesky, woodsman
The Phimf is a large - some would say gargantuan - beast that has four cloven hooves like a goat, two short on the right and two long on the left, that make it easy for them to travel over hillsides, with a stout torso that’s heavily muscled and four gorilla arms and hands, as well as a ape-like face that’s long in the snout like a goat, and four pointed horns - perhaps the creature’s only point of pride.
This blessed image is of the Hillside Phimf by Thomas Novosel.

Background

The Hillside Phimf is a cryptid. The most elusive kind, that is, until you’re on a hillside at night. Then it’s just nearer than near, its hot breath just bristling your hair and its rage tenable, just behind you. It’s a perilous beast, and like none you’ve ever heard of. There are some who try to compare it to a sidehill gouger, but those beasts are sweet creatures in comparison to the giant Phimf.

It might sound the opposite of terrifying when it’s stuck to hillsides, but you’ll only think that until you spend some days in a region where there’s more sideways than straight. The creature walks on two short legs and two long ones, gripping the hillside, and reaching out with four arms to capture anyone caught unawares on the slope. It rarely goes hungry, and only ranges where dips and valleys make their home.

The screaming roar it makes seems to echo through the hillsides, but is never heard inside the thick-walled homes. The trees buffer its baahhhhing, its cry to the wind. The Phimf is said to be half gorilla, some sort of ape, with large grasping hands and fearful teeth, and half goat, with clopping hooves that find even steep cliffs no trouble at all. Where it comes from, no one knows, but we do know where it goes – ’round the hills, soon as dusk falls, and not stopping until its growls turn into satisfied grumbles from a good meal. If there’s no folk around to have a bite, it’s not afraid of partial cannibalism, eating everything from other goats to spare possums trying to find their way home in the night. All along it stalks the hills.

The Phimf has their weird goat eyes, rectangular pupils and wide, with a legendary ability to see in the dark. Bright lights shy them away, but if they’re hungry they’ll just eat the light. Goat gut’ll digest anything, so they say. They might yell while they do it, truth be told. Their bleating yells reveal squat, square teeth that crush more than shear. They batter on their chest with apelike hands that have long reach and strong grip.

The way to get at them, supposedly, is a crew with strong stomachs who can round it up onto the flat. Its strengths become weaknesses then as it’ll topple to the side, struggling between its short and long legs. It’s still grabby as all get out, but it’ll eat anything you put in front of it – even if that snack happens to be sleep-inducing or worse. No one knows for sure whether it’ll work, but someone had better do something to protect these hills.

Hillside Phimf for D&D 5e

Large cryptid, chaotic neutral

Armor Class
16

Hit Points
84(8d10+ 40)

Speed
40 ft.

All Posts

STR 14|+2DEX 16|+3CON 20|+5INT 8|-1WIS 10|0CHA 7|-2

Proficiency Bonus
+4

Skills
Intimidation +8, Perception +2

Senses

Darkvision 120 ft., Passive Perception 10

Languages
None

Challenge
8 (3900 XP)

All Arms. The Phimf has four arms and is always counted as having reach in all directions, and cannot be flanked.

Actions

Multiattack.The Phimf makes two attacks: one with its bite and one with its hands. It can make both attacks against the same target.

Bite. Melee Weapon Attack: +10 to hit, reach 5 ft., one target. Hit: 33 (4d12 + 7) bludgeoning damage. If the target is a Medium or smaller creature, it is grappled (escape DC 17). Until this grapple ends, the target is restrained, and the Phimf can’t bite another target.

Grasping Hands. Melee Weapon Attack: +7 to hit, reach 10 ft., one target. Hit: 11 (2d6 + 4) bludgeoning damage. If the target is a Medium or smaller creature, it is grappled (escape DC 17). Until this grapple ends, the target is restrained, and the Phimf can’t grab another target.

Disgusting Roar. The Hillside Phimf has eaten ungodly things and its stomach works hard to digest it. When the Phimf roars to frighten its prey, anyone caught in the 20ft. cone must make a DC 10 Constitution save or suffer nausea and dizziness for 1d4 rounds (Temporary Constitution & Dexterity Penalty of -2).

Facilitator Notes

Drives

  • Driven by unending hunger.
  • Driven to find the tastiest food the most easily.
  • Doggedly pursues anything that smells like food regardless of when it last ate.

Interactions & Reactions

  • The Phimf is almost never seen during the day, seeking caves, shadowed cliffsides, and abandoned houses or barns to hide in when the sun is out.
  • If attacked, the Phimf will only try to fight back or resist. It will never try to run away. At most, it will seek cover when the sun is rising.
  • The Phimf is always hungry, and has no restrictions on its diet.
  • The Phimf is a large – some would say gargantuan – beast that has four cloven hooves like a goat, two short on the right and two long on the left, that make it easy for them to travel over hillsides, with a stout torso that’s heavily muscled and four gorilla arms and hands, as well as a ape-like face that’s long in the snout like a goat, and four pointed horns – perhaps the creature’s only point of pride.

Other System Notes

  • The Hillside Phimf has 8 hit dice.
  • Grasping Hands equivalent damage: Maul or Heavy Two-Handed Weapon.
  • Bite equivalent damage: Greataxe – three attacks for each bite.

Hillside Phimf for Monster of the Week

Monster: Devourer (motivation: to eat everything tasty)

Powers

All Arms: The Phimf has four arms and is always counted as having reach in all directions, and cannot be flanked.

Disgusting Roar: The Hillside Phimf has eaten ungodly things and its stomach works hard to digest it. When the Phimf roars to frighten its prey, anyone caught in the blast takes 1-harm close messy.

Teeth and Hands Attacks: Bite: 3-harm hand; Grasping Hands: 4-harm hand close.

Armor

Tough Skin: 1-armor.

Harm Capacity

12.

Weakness

Hunger & daylight: If the Phimf is tricked into eating something that could harm it, it takes harm more easily (no armor against ingestion). It also is weakened in daylight, but mostly in that it will cower and try to hide.

Official Statement on Perpetrators of Harm

I have puzzled for days on how to make this statement, so I hope this ends up being good enough. The Twitter statement was brief and to the point, but this needs to address some things more specifically. I do appreciate your patience.

Content Warning: Sexual assault, sexual harassment, harassment, grooming, threats, doxxing, rape, missing stairs, abuse of authority.

It starts out bad.

There was recently a statement released by Mandy Morbid and two others, Jennifer and Hannah, all ex-partners of Zak Smith (a.k.a Zak Sabbath, a.k.a. IHitItWithMyAxe, a.k.a. dndwithpornstars). The statement described domestic and sexual abuse by Zak towards the women in some detail (link here, content warning for domestic and sexual abuse, ableism). It was followed up by a statement by Vivka Grey reporting similar issues (link here, content warnings for domestic and sexual abuse, toxic objectification).

The internet in indie and OSR gaming erupted. It spilled elsewhere, too. Zak has been a troublesome member of our community for some time – people have been reporting his harassing, threatening behavior for around a decade, including many marginalized people who were pushed out of the community by the bad behavior or by backlash after reporting. Some people were pushing to excise him immediately, others wanted his story. Some of us got caught up in community in-fighting that served to muddy the waters, but I think it’s beginning to clear.

I will give full disclosure that, by my experiences, Zak has made my life more difficult. The actions of his supporters have done so, as well, including some people who will go on without ever apologizing or making up for it, I know that. I don’t trust a lot of people because of Zak. I think his actions have threatened my professional career and they have been part of the impetus for the clinical acute paranoia and trauma triggers I suffered that partially led to me having to leave my rather lucrative corporate job in 2015. Yes, I was vulnerable in the first place. That doesn’t mean that making it worse through ill behavior was a kind and loving thing to do.

That means it is easier for me to make a statement that I will not publish articles supporting his work, that I will not go to conventions that support his work. However, Zak is not the only missing stair in our community (link to blog post about what missing stairs are, content warning for sexual assault and rape). There are people I used to work for who have done harm too, and one of those has been public since around the Harassment in Indie Games series I did in 2017, but I didn’t make a public statement. I should have.

It gets worse.

Matthew McFarland, someone who I have interviewed for Thoughty and who I have worked for while doing the Demon: Interface project, is a serial predator. Cheyenne Grimes came out about this in 2018 to IGDN (link to Cheyenne’s recent post, content warning for sexual assault and trauma), and the investigation that occurred then is being re-investigated because at the time, Michelle Lyons-McFarland was IGDN president. When Matt was removed from RPG.net as mod, reportedly Michelle was still a mod and helped to prevent further survivors from speaking up. Some of those survivors like Luka Carroll have spoken up publicly (link here, updated link here, content warning for grooming and assault and specifically noting relation to trans individuals as targets.)

I am angry about this. I am bitter that this entire situation occurred, that Matt could keep doing harm, that it was covered up, that people were ever harmed at all. I am angry I ever promoted Matt, or considered him a friend. The thing is, Matt is not the only person I have had an experience like this with.

There is a situation some people find themselves in where they know secrets. These secrets are very important, and if they confessed them, maybe someone could be protected. But if they confess them, maybe someone could be hurt very badly. This is the peril of knowing about missing stairs in the community, and knowing on behalf of their survivors or yourself. I know about multiples of these and until I am authorized to do so by the survivors or those currently affected, I won’t release the information. I made that choice. It still feels absolutely vile. I am angry about it every single day.

In for a band aid, surgery later.

That’s part of why I have taken on some specific rules that I talked about on Twitter.

  • Understand forgiveness is hard and complicated.
  • Work toward it anyway.
  • Don’t harass, doxx, or threaten anyone for any reason ever.
  • Take care of yourself.
  • Take care of each other.
  • Remember that infighting is what bad actors want.
  • Center the survivors.
  • Try to love, if you can.

Sounds harder than anything right now, honestly. But, I’m trying. With these comes people making statements, and sometimes those statements are less than great. I’m not linking to the good ones or the bad ones. I don’t have that time.

What I do have time to do is give my statement. The official Thoughty word, as it were, here on the blog, not just on Twitter. This is what I can do right now. What I will do going forward, a bit, but it’s a now. How do we fix our fractured community? How do we build bridges between indie and OSR and trad when somehow they’ve all been blown up by this? How do we deal with the fact that there are missing stairs everywhere, and they mostly remain some charismatic fuckers? I can’t tell you that.

I can tell you to learn about DARVO, the way abusers behave when called out (link here, content warning for discussion of abuse and trauma), and when someone is an asshole, don’t blame it on the internet. I can tell you to practice apologizing well. I can tell you to check those rules I just shared and follow them. And I can tell you this:

I love you. Even if you fuck up, I will love you. All I ever ask of you is to try to be better. If you are doing bad things, stop doing them. Apologize. Try to make up for it. Don’t hurt the people any more than you already have. If you’re not doing anything bad, keep an eye out for the things that might make you slip up. We all fuck up. Thoughty isn’t a site only to promote and praise the perfect, but we had better do a damn good exercise in trying if we want to make the world stay alive for tomorrow. I expect you to be better. Every chance you get.

The Official Thoughty Statement

Thoughty supports survivors of abuse and harassment and believes them.

This platform is not a space for anyone who perpetrates acts of harassment, abuse, or violence, especially against marginalized individuals. Thoughty will not post to promote or endorse these perpetrators on the main site or on social media.

I will not attend or endorse conventions without an effective and enforced code of conduct, and if I know a known perpetrator is a guest, I will not attend or endorse.

Thoughty can and will refuse any and all submissions for interviews, features, reviews, or endorsement if there is a publicly or privately known allegation of abuse or harassment that I can in any way reference.* If I am made aware of an allegation after posting an article, I will assess whether it is safe to contact the accused to let them know they can appeal, and whether it is or not, I will take the post down or post a warning at the top of the post based on the perspective of the survivor if I am able to obtain it.

I reserve the right to take down posts or apply warnings at the top for any reason, even beyond this, because the safety of my readers is paramount.

If you are aware of a post I have up that supports a perpetrator of harm in our community, please notify me using my content form and I will assess it as appropriate. Please understand I am running the site on my own, so things may take time, but they will be resolved to the best of my ability.

Thank you for your time and attention on this big post! And thank you for taking this in, and moving forward for the better. Believe survivors!

*ETA 2/16/19 5:31pm – changed “confirm” to “reference.” The former is not what I meant. I just mean I need to know what the allegation is.

Play with Purpose

Dice by John W. Sheldon

I’m going to try to make this brief, but I wanted to express something that has been sitting with me a while, and that’s about what games we play and why we play them. This stemmed from discussion of Dungeons & Dragons, but it applies to many, many games and all types of players and GMs.

Why do you play RPGs?

I want you to ask yourself this question, dig down. Ask harder. Listen to your first response and dig deeper and ask harder.

Why do you play RPGs?

Now you have an answer, I would hope, that feels right. Now look at the games you play right now. 

How do those games meet your reason?

How do they question your answer – are you sure you want to do that? Can you even do that?

Do all of the mechanics support your type of play?

Do any of the mechanics reject your type of play?

Do you play around any mechanics to enjoy play?

Do you ignore sections of the rulebook to play?

What mechanics do support your play, your reason for playing?

Are the games intended to play one way, while you play the other?

What about this game makes it valuable to you?

Is that valuable thing mechanically in the game, or is it something you’ve introduced?

From here, ask yourself about the awareness you have of games around you that you aren’t playing.

Do you know about other RPGs?

Do you know how to play them?

What games allow you to play comfortably without ignoring rules, if any?

Do any of them meet your reason?

Have you tried playing other games that meet your reason, if there are any?

I ask these questions because I want to see us play with purpose, and that purpose is play, an activity that is enjoyable and entertaining (even if that enjoyment is not gathered through “fun”). There are so many RPGs that it is just super unfortunate for people to be stuck playing a game that they aren’t enjoying, that isn’t meeting their needs, that doesn’t fit their reason, that questions them in an unproductive way. I want to see people play games that hit the right spot for them.

This comes to mind because people play around rules so much, and that shouldn’t be necessary! If you play a game and it feels like work, or it feels boring, or you feel exhausted afterwards in a bad way, ask yourself these questions. Take a deep breath, and consider your options. There are hundreds of RPGs out there! Some of them are free, and plenty of them can be learned easily if you look for simplicity, while others are crunchy and mechanics-heavy in ways that some people find delicious.

If the fiction doesn’t work, ask the world for more options. If the mechanics don’t work or seem extraneous or seem too minimal, ask the world for more options. The options are there. Don’t suffer in play. It isn’t fair to you, it isn’t fair to those you play with.

Why do you play RPGs?

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Five or So Questions with Glynn Seal on The Midderlands

Hi all! I found this cool setting and bestiary while scrolling through G+, and the word “bestiary” drew me in (I’m a sucker for them!). MonkeyBlood Design has some sweet looking stuff on their website and The Midderlands, which is currently on Kickstarter, looks pretty nifty! See what Glynn had to say below!

(Note: While The Midderlands contains a setting as well, most of the pictures are of the beastiary. I like monsters. Deal.)

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Groat. I love it.

Tell me a little about The Midderlands. What excites you about it?

The Midderlands is an OSR mini setting and bestiary for Swords & Wizardy although as with all retro clones, it’ll work interchangeably with minimal effort.

The setting itself is based on the area in England where I live, the Midlands. The idea of taking this area and turning it into a more twisted, darker fantasy-land excited me. I could take landmarks and towns and run riot.

All that said, the idea of the book started as I was drawing weird creatures. I thought it would be good if they lived in and around where I lived, kind of like the Spiderwick Chronicles by Terlizzi. The idea evolved from there.


Tell me about weird creatures! Bestiaries and monster manuals are a favorite of mine. What will we see spilling forth from the pages?

The book contains a bestiary section which contains 25 new monsters. These include the Muckulus, Oorgthrax, Mud Cow, Thorned Briarling, Six-headed Sewer Gripe, Mawling and Nobblin to name a few. Each of the 25, also have a pre-generated NPC. Of these 25, 18 have defined race-classes that you can play. Now don’t get me wrong, some of these are bonkers but they have a lot of fun gaming potential. Some favourite monsters are the Conus Ogre that feeds on electricity, and the Six-headed Sewer Gripe with its decapitation attacks. Edwin Nagy has done a great job of adding flesh to the bones of the monsters. I would give him the art, tell him some things I wanted it to do/be like – and he would create these monsters of wonder.
Slitherling by Jim Magnusson.
What sort of elements are you bringing to your home of the Midlands to make it darker, to find a deeper root?

I wanted an undercurrent of something chthonic, dark and unknown going on beneath the earth. The spinning core deep below the land is made of Gloomium – a green substance which leaks to the top and taints things. The sky is green-hued and fires burn with green flames and such. There are black-clad folk about and their intent is shadowy. I don’t elaborate too much on stuff, allowing the gamemaster to take it where he wants to go with it – to fit their own agenda, or campaign ideas. I just wanted to create enough “game-juice” to give the feeling that there is untoward stuff going on.
fishy fishy fishy oh
How do you find inspiration for different monsters and game elements?
I’m never quite sure where the inspiration was coming from. I spend lots of time going through G+ and some people post some great art. In terms of the monsters whatever appeared on the page as I drew it. The drawing of the head happened first. Once I had all the heads, I created a set of headless bodies. I then printed them all out and matched up heads and bodies till I got something cool. Then I would come up with a concept and send it to Edwin for stats.

The setting just kind of fell out. A good example is that there is a ruined windmill on my way into RL work. I decided to add that the location section as Bognock Windmill. Many RL landmarks were harmed in the making of this book.

What are you doing to make The Midderlands accessible for multiple systems (OSR to Pathfinder, even) – freedom from mechanical trappings is one thing, so what in the setting makes it work for more than one system?

As it’s written for Swords & Wizardry Complete, it is easily moved to other retroclones. S&WC is generally single saving throw and doesn’t use Morale so there is a tweak needed to use in LotFP. Most OSR folk can pick this stuff up and go on the fly.
Pathfinder, D&D5E and DCC would be a little more tricky in terms of stats, but The Midderlands is not intended to be overly complicated. The setting contains no real stat stuff at all – so that can be taken and used anywhere. Other than the bestiary stats, there are magic items and oddities that can easily be used in other non-OSR systems. As an example, a Wodensblade is a +1 longsword, +3 vs green-skinned creatures. That kind of thing can be used pretty much anywhere 😊. Spells are referred to such as Charm Person, so that will be understood in most systems. Monster stats will need a little more work for non-OSR systems.

So far, the support for the Kickstarter has been fantastic, given the ambitious funding total. I want the book content and production quality to be something people get in their hands and go “whoa, this is so cool!!”, so I’d rather fund something memorable than a PoD offering if I can. That does have a cost though. We are almost half-funded at this stage and still over 20 days to go, so it’s very-promising and myself and the team are massively lucky to have such great support.

Thank you for your hosting hospitality, great questions and for your interest in the project!

#themidderlands 😊

—

Thanks so much to Glynn for the interview! I hope you all enjoyed reading and that you’ll check out The Midderlands on Kickstarter, and remember to share the post around!

This post was supported by the community on patreon.com/briecs. Tell your friends!

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Hubris: A World of Visceral Adventure Review (part 2)

Today is the second part of Mike Evans’ Hubris setting book review! See the first part here.

We’ll continue with the chapter on the Wizard’s Spellbook (spells and Patrons). It has tables for spellbook constructions, options for Patrons from both DCC and Hubris (including the Charred Maiden, Floating Island of Terror, Spider Goddess, and Twisted One), and then spells.

The Summon from the Void spell is pretty… uh. Yikes. There’s some really cool stuff going on but wow, it’s mega gross, and reminds me why I am not a magic user.

There are unique spells for the various Patrons, which come with every level of creepy and gross and twisted nature that the others have, some going even farther like those of Charred Maiden that involve the Patron who is known for eating children and the spells that bring the twisted corrupted spirits of the children to life.

The following chapters include the gods of Hubris. I admit, and this is just personal preference, I wasn’t super enthused about this section. I think it’s because I don’t typically play or enjoy the narrative of clerics. There are plenty of useful things I think a lot of people would enjoy – various cleric invokations, information about the god’s alignment, holy symbols, and weapons, which are cool. The gods have names like “The Corpulent One,” “Yelsa, Goddess of Sex and Violence,” and “The Heathen Below.” I’m sure a lot of people would enjoy this if they’re into kind of twisted morbid deities, but it’s not really my jam, primarily because it’s focused on clerics.

In the following chapter on GM Tools and Tables, I think that the Demigod creation charts are really cool. You roll for the demigod form, holiday, altar, blessing/curse, followers, temple, cult leader, and what they are a god of. There are things like “God of the Never-Ending Kaleidoscope Nightmare” and the bodies include things like “twitching fingers for nipples” and “eyes are mouths and mouth is an eye” and some things that are way more unsettling. A couple of these did genuinely make me uncomfortable and upset (like some of the altars that included harm to animals and stuff), so I’m not including many details here.

There is a nifty table on “Bandits, Brigands, and Rapscallions” that has gangs, encounters, and bandit leaders. I like the City District Generator, too, which has some fun plot hooks and I think would be a great kickoff for anyone trying to get a game started quickly or pick up a game that’s slowed down.

Hive Mind
The Diseases of Hubris are so, super gross. Blighted Eyes is so gross and cringey, involving yucky things happening to your eyes. The Ghost Pox is very haunting (pun intended), but Hive Mind (bees take rest in your head) is so vile and probably going to give me nightmares just from reading it. Also, the Whistler’s Lament is terrible – and possibly could annoy the entire table completely.

There’s a brief table for grave digging, which I think would be pretty useful in some campaigns. Another table – probably more widely useful – is the NPC generator. It has a lot of variety, and a lot of unique qualities for NPCs. I really like random tables for NPCs, in part because it can make life way easier for GMs. 

This section in general is loaded with cool tables – planes of Hubris, what happens when you make camp (like waking up with fungus growing on you), herbs you might find (like ones that let you climb on walls), taverns and inns (one has a pickled rat brain eating contest), vials (you could grow a beard! Or barbed skin!), villages (including one that’s built on mummified bird legs!), ruins (featuring living statues and demons of lies, strange black obelisks and pink spider webs), and a way to label years.

The section on Magic Items has a fancy table for random stuff but also has a list of other items both attached to gods and otherwise. I almost talked about what some of them do, but I think that would be almost too spoilery, for lack of a better term! Some of the named items are: The Armor of the Horned Blood Crab, The Six Sinister Skull Bracelets of Facious the Cruel, and The Despicable Clay Jug of the Maggot. Yes, that last one is just as gross as it sounds!

Demon Contamination
The Monsters section is pretty fun. There’s a table on contamination from demon possession, which has some gross stuff and some interesting stuff, and includes a table called What’s on Their Festering Dead Body? And it is obviously ridiculous (in a good way). One of the options is a “Convulsing Sphincter Muscle of an Ox,” and another is a “Bladder of a Badger” that you can drink from (ew). I’m annoyed that the Face of a Scorned Lover is gendered, because, come on. There’s also “Ulcerated Stomach of the Three Pronged Goat,” which is for carrying items, so, gross. Fun grossness.
The monsters include such fun things as barghests (one of my favorites), dinosaurs, fae (with some random tables), malfactorum (anthropomorphic beetles), carnivorous mermaids (YES), skeletons what use guns, and wooly mammoths. They all sound really cool and I’d love to see some of these in play (especially the mermaids!). 
Mermaids!
I am not covering the Adventures section because that’s something I prefer to leave for GMs and players to discover on their own, so you’ll have to pick it up to see!

Overall, I think that Hubris is pretty fascinating! If you’re looking for a setting book with lots of material that will give plenty of substance to a twisted, gross campaign with plenty of vile monstrosities, Hubris is a good option! There are plenty of new environments, magical effects, story hooks, and choices for character building that I think give a lot of leads for both short play and longer campaigns.

I hope you liked reading about it! Check out Hubris here if it seems like your kind of thing. 🙂

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Hubris: A World of Visceral Adventure Review (part 1)

(This is part 1 of two, part 2 will be released on Monday, January 9, 2017.)
The introduction to Mike Evans’ Hubris is a vivid, almost technicolor cover that reminds me of the covers of old, used paperback sci-fi and sword and sorcery novels I saw in my childhood, covered in dust, wiped with an 80s brush. This is a good thing.
Gorgeous cover!

Inside the pages I find similar evidence of the weird nostalgia of gritty dark adventure, like the monsters of Beastmaster and from those stories I shouldn’t have read in the back of the bookstore. These days I typically stick to lighter materials in my gameplay, but fuck knows that in the back of my mind those things still creep. What makes Hubris appealing? The visceral nature of it, for sure.

Hubris uses Dungeon Crawl Classics (DCC) as its main mechanical structure, so I had to wiggle my brain a little since I’m not super familiar with the system. Thankfully, it’s relatively simple and nothing interfered with my ability to examine the game’s setting and structure. There are lots of random tables, which I looove.

The art of the book is black and white or grayscale, and not only is it great to look at it but it’s well suited to the content of the text and theme of the book. I enjoyed just scrolling through looking at the images – the artists (Alex Mayo, David Lewis Johnson, Jeremy Duncan, Angie Groves, Doug Kovacs, Jason Sholtis, and Wayne Snyder) did an excellent job capturing the “feel” of Hubris from my reading. There are a few spots where I (as an editor and proofreader) might have changed a few things textually, and some layout hiccups, but they’re minor and don’t disrupt reading, I don’t think. Overall the book is really well put together and easy to read!

The setting summary and flavor text of Hubris includes a lot of “appealing” concepts (by which I mean, oh, god, no, please! (wait, yes!)). A few bits from the setting summary itself:

“Legend states that Hubris was created from the fetid corpse of a long-dead god.”

“The Black Queen rules the citizens of the Floating Island of Terror from her throne of bones and dreams terrible machinations for Hubris.” (*swoon*)

“There are no easily recognizable heroes in the world.”

“Your epic tale will be forgotten in days as the dangerous world continues on without you…”

Yep. Yep.

Lovely world map!
The maps in Hubris are really nice! They have the kind of tight feeling that I enjoy in this Tolkien-esque kind of map, but it’s clearly readable. They also immediately draw in my interest with the small icons of the locations. You know, places like “Ruins of the Deranged Elephant Emperor” and “Lake of the Flayed” and “Bleeding Mountain that Pierced the Sky.” The kind of places you really wanna go, but kind of wish you’d never heard of.

In character creation, Hubris includes no elves, dwarves, or halflings. I was kind of surprised by that as I’m so used to them being standard in a lot of settings, but it was cool to see. There is a list of occupations with weapons and goods, and I admit I laughed when I read that the chimney sweep child has a broom (as a club) as their weapon. There’s also gems like the heathen carrying a bucket of dung, a nosey neighbor with a rake (as a club) and a rooster, and a rabid raven fanatic. (There’s also later a “disgusting torturer’s kit.”)

(Note: I am fully aware that Hubris contains some terms and subjects that are or may be problematic (g*psy, prostitute), so please don’t think I’m ignoring them. This is my note that they do exist and I’m aware of them.)

There are also additional races with specific occupations available: Avarians, Ekrasks, Half Demons, Murder Machines, and Mutants. The phrase “Murder Machine” as a race does amuse me, especially considering one of the available occupations is “Tinkerer.” These are also doubled as classes, along with the additional human-only occupations of Alchemist, Blood Witch, Druid, and Shadowdancer, as add-ons to the base DCC classes. I am not commenting on everything – just stuff that sticks out.

Blood Witch
I admit I nearly shit myself while reading the Blood Witch class because of the Blood Walk ability:

“A blood witch can play a dangerous game and jump through a living creature that is the same size or larger than herself, traveling through their blood and can emerge from another living creature on the same plane of existence.”

Like. Fuck. Yes. This is totally my kind of ability, and it’s so gross. To be honest, I said to John (husband) that it is one of the coolest abilities I’ve ever seen. A+. (Oh, and the Familiar ability is really cool and gross, too. You’ll have to see the book to find out why!)

One of the interesting things about the Druid class that I liked a lot was the Animal Shape manifestations, corruptions, and misfires. They include things like worms burrowing out of the druid’s skin and reshaping the druid to the new form, the druid’s head turning permanently into the chosen animal, and a tree growing out of the top of the druid’s head, respectively. Nice.

Druid
I will note my one big complaint is the general nonconsensual nature of the Half Demon race. This is such a stupid stickler for me, I know it pisses people off, but I’ll always dislike it (and I’ve written articles about the use of this in half-orc backgrounds). However, I know a lot of people dig it and it doesn’t bug everyone, and I get that it’s evil demons, and not just women getting raped (but rape is legit bad for anyone, regardless of gender, so). But, consider this my registered gripe. Aside from that, the race is pretty cool.

Murder Machines are just… like, dude. I can’t even register how cool and fucked up they are. They’re basically humans melded into armor and made into… murder machines. They also have something called a “Swiss-Army Hand.”

So the Mutant has this thing… It’s a cosmetic mutation, and I’m just gonna… share it:

“Your teeth fall out and in their place grows: 1) fingernails; 2) worms; 3) open sores; 4) small gasping mouths; 5) small writhing tentacles; 6) tiny, infant-like fingers.”

You’re welcome (from Mike, probably).

The Mutant powers are so disgusting I am still just kind of grossed out but they’re so inventive and brilliant I’m amazed. I laughed and gagged. Amazing. (Stomach maggots. Worm infested skin. Plague skin. Acidic belch. Ooze-like body. Ant colony. Boneless.)

As we move along through the gear and services things, it’s pretty standard and useful (including a great Quick Start Gear option!), but I have to make a vote that we stop with the “prostitution” tables in games… or at least not make them about how likely you are to get an STD. It’s just kind of a bummer and negative. I love having sex workers in games! But I like them to be done respectfully. This is not exclusively judging Hubris either, this shit is everywhere, but it’s in my read while I’m here, so pointing it out. Other people might like it! Not my jam.

Next up we hit the Territories section. I love that Mike specifically talks about how the Void of Hubris (kind of the post-life plane) has a lot of room to explore whatever the Judge (the GM) wants to explore. Pretty cool! I like that, and I also like that in the basic “Lay of the Land” options it’s a chart (d100) that works with a d100 chart of encounters and descriptions of locations.

The Territories section is a really good read and has a ton of material that could support a really significant campaign without ever risking boredom or repetition. I’m just going to cherry pick some of my favorite bits of the flavor text for the settings and items from their d100 lists here for you all!

“Devastating sandstorms, raging gigantic beasts, harsh environments, and a psychotic empire is all that stands in the way between an adventurer and unimagined riches from a long forgotten age.” (The Blighted Sands)

“Grove of weeping willows, used by a sect of extremist druids as their outpost. They are preparing for war against the heathens that destroy nature.” (d100 table, Bogwood Swamp)

Note: There is a list of what the mushrooms of the Bogwood Swamp do that is suuuper cool, but I think it would ruin a player experience to learn about all of them in advance!

“The petrified remains and shell of the gargantuan turtle, Slathereth the Destroyer, rises out of the Bogwood like a jagged mountain.” (Locations, Slathereth, Bogwood Swamp)

“The constant gathering and release of energy has caused the veil of reality to become weak in the forest and it is not uncommon for those in it to have strange visions, become warped or monstrous, or even be transported to another area of Hubris, or teleported to another reality entirely.” (Locations, Wrath, the Crystal Forest, Canyons of the Howling Red Rock)

“Vineyard with grapes that have the faces of humans, young or old. The grapes scream when they are squeezed.” (d100 table, Great Plains of Unbidden Sorrow)

FYI THERE IS AN ENTIRE TOWN THAT IS BUILT ON THE BACK OF A GIANT METAL DOGGIE THAT BREATHES FIRE. It’s called The Roving Nibbleton. 

The Roving Nibbleton
“Strange mechanical ruins that stagger the imagination, gigantic reptiles and insects, altars of blood, druidic cults, moss-covered zombies, ancient stone temples of complex design, and plants that feed off living creatures’ life-force await all who are brave or foolish enough to enter the Unsettled Expanse.” (The Unsettled Expanse)

“A Tyrannosaurus Rex with a head-mounted laser cannon rumbles through the forest.” (d100 Encounters table, The Unsettled Expanse)

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On Monday, January 9, 2017, the review will be continued! Keep an eye out. 🙂



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